- Disney’s Snow White £2,015,179 – £6,781,342
Down 47.7% in its second weekend
Took £337k 16.72% (-55.19% £752k) Friday; £892k 44.27% (-47.84% £1.71m) Saturday; £786k 39.01% (-43.45% £1.39m) Sunday.
469th biggest second weekend between Dinosaur and The Silence of the Lambs (close to Night at the Museum 2, Independence Day: Resurgence, 101 Dalmatians and Into the Woods) and the 794th biggest inflated second weekend between 2 Fast 2 Furious and Rango (close to Miracle on 34th Street, Moana, The Princess And The Frog and Coraline).
The 18th biggest second weekend over the last 52 weeks between Alien: Romulus and Nosferatu (close to It Ends with Us, Sonic The Hedgehog 3, The Wild Robots and Back to Black)
14th biggest Disney reimagination second weekend between Disney’s Christopher Robin (£2.15m) and Alice Through The Looking Glass (£1.35m) (close to Maleficent, Maleficent: Mistress Of Evil, Cruella and Flubber)
3rd biggest 2025 second weekend between Captain America: Brave New World and Nosferatu (close to Dog Man and A Complete Unknown)
In a recent interview, Rachel Zegler said, “It’s very important for the public to know this. Disney has found this beautiful and delicate balance between the animated classic that everyone knows and loves from 1937. At the same time, it introduces it to this new generation.” “Her superpower is her heart.” Rachel’s powerful singing voice is the best thing about Snow White. It was also the highlight of Steven Spielberg’s recent West Side Story remake. Both were completely unnecessary.
For decades, from the 40s to the ’90s, Disney would re-release their classic animation films to new generations. Snow White and the Seven Dwarfs was re-released in 1992. It opened for £4,657,649/£11,491,769. They always had successful re-released in cinemas. The ’80s and ’90s were particularly notable. In the early ’80s, animated classics were re-released. These included The Jungle Book and Snow White. They were the top 3 biggest films of the year. The cinema re-release would be followed by a home video release available for a limited time. In the 90s and 00s, Disney made direct-to-video sequels to their classic animated films.
2012’s Mirror Mirror dropped 61.8% £913,134/£1,135,325 and £7,312,717 of £7,578,055/£9,422,009
2012’s Snow White and the Huntsman dropped 38.4% £2,210,929/£2,748,910 and £7,958,460 of £15,666,534/£19,478,642
Snow White and the Seven Dwarfs was last re-released in cinemas in 1992 and took £4,657,649/£11,491,769.
The biggest Disney re-imagination second weekends:
2017’s Beauty and the Beast dropped 37.4% £12,334,338 and £39,884,575 55.1% of £72,430,579
2019’s The Lion King dropped 36.1% £10,660,287 and £36,889,089 48.6% of £75,938,299/£83,826,626
2010’s Alice in Wonderland dropped 30.4% £7,343,506/£9,836,595 and £22,749,115 53.9% of £42,169,542
2016’s The Jungle Book dropped 18.2% £8,095,442 and £21,662,461 46.8% of £46,235,032
2019’s Aladdin dropped 30.8% £4,888,931/£5,396,784 and £19,783,972 53.9% of £36,710,978
2023’s The Little Mermaid dropped 15% £4,225,713 #2 727 screens and £16,214,841 59.45% of £27,275,784
2015’s Cinderella dropped 21.9% £2,969,426/£3,261,838 and £10,388,950 of 49.51% £20,982,668/£23,048,922
2013’s Maleficent dropped 60.4% £2,605,230 and £11,056,088 56.8% of £19,453,353
Disney has made over 17 reimaginations over the last 29 years since 101 Dalmatians took over £490m and £560m inflated. –
As Disney previously did with The Marvels, they needed a scapegoat for the failure of Snow White. With The Marvel, it was “inexperienced” director Nia DaCosta. Now, with Snow White, it’s Rachel Zegler. A Variety article with anonymous sources mentions that “Zegler is irresponsible”. They also say she is “quite frankly, erratic in behavior during the promotion of Snow White”. … Many people at Disney were caught off-guard by Zegler’s critical comments about the original Snow White. However, the studio decided not to act upon it. They were concerned about the ‘free speech’ lawsuit recently thrown at them by fired ‘Mandalorian’ star Gina Carano.
Rachel Zegler’s powerful singing was the best thing about Snow White. It was also the standout feature of Steven Spielberg’s West Side Story remake.
1,112th biggest between King Arthur and Godzilla: King Of The Monsters (close to Wayne’s World 2, Wild Wild West, Shaun of the Dead and X-Men: Dark Phoenix) and 1,660th biggest inflated between Brassed Off and Christmas with the Kranks (close to The Princess Diaries 2, The Book of Life, Total Recall (2012) and Just Go With it).
- 2 L2: Empuraan £1,210,57 – NE
Third-highest opening weekend for an Indian in the UK behind Pathaan (£1.9m) and Jawan (£1.3m).
1,476th biggest opening between Total Recall (1990) and Munich (close to Freaky Friday, The Men Who Stare at Goats, Dragonheart and Adulthood) and 2,0101st biggest inflated opening between Your Highness and Lawless (close to Striking Distance, Over the Top, The Mechanic and The Usual Suspects).
44th biggest opening over the last 52 weeks between Longlegs and Trap (close to Challengers, Speak No Evil, Marching Powder and The Monkey).
- 3 A Working Man £658,134 – NE
Took £201k 23.43% Friday; £273k 31.82% Saturday; £384k 44.76% Sunday.
17th biggest 2025 opening between Heart Eyes and Wolf Man (close to Flight Risk, Companion, Novocaine and Alto Knights)
A Working Man had a disappointing opening. This was especially true over such a quiet weekend. The performance followed Jason Statham’s The Beekeeper, which opened with £956,380 in January 2024 and took £3,830,079. Sylvester Stallone was initially set to star in a TV show adaptation of the Chuck Dixon novel Levon’s Trade. In 2023, the project switched to a film. Stallone wrote the script. Amazon acquired US and UK rights in January 2024.
Jason Statham’s first films were Guy Ritchie’s Lock, Stock and Two Smoking Barrels in 1998 and 2000’s Snatch. Since then, he has starred in many action films. These include The Transporter, The Italian Job, Cellular, and Crank. He featured in The Expendables, The Mechanic, and several Fast & Furious sequels. Additionally, he starred in Spy, and The Meg as well as its sequel. Will star next in Fast X Part 2 and The Beekeeper 2.
- 4 Bridget Jones: Mad About The Boy £562,233 – £45,522,423
Down 27.5% in its seventh weekend
£211k 27.2% (-44.5% £380k) Fri; £338k 43.6% (-31.2% £491k) Sat; £226k 29.2% (-65.1% £325k) Sunday
128th biggest seventh weekend between American Beauty and Meet the Parents (close to Sliding Doors, Gosford Park, Ocean’s 11 and Shakespeare In Love) and the 260th inflated seventh weekend between The Bourne Ultimatum and Gladiator II (close to The Best Exotic Marigold Hotel, Lion, The Matrix and Presumed Innocent).
With the industry average ticket price of £7.92, Mad About the Boy has had over 5.88m admissions since opening; after weeks of expecting it to top Bridget Jones’s Baby 6.5m admissions, it will likely come short and won’t get close to either The Edge of Reason’s 8.1m and Bridget Jones’s Diary’s 10.2m despite tasking much more box office. This, of course, is just the industry average price; the real average is about a third more.
The industry was predicting £50m+ BO ahead of Mad About the Boy opening. It was expected to have long legs like the previous films. Why did it drop off far quicker despite rave reviews and no competition? This happened after it opened far bigger than all other films did. It also had the advantage of being trailered with Wicked in November.
Why didn’t it get a Mother’s Day boost over a quiet weekend?
Seventh weekends
2001’s Bridget Jones’s Diary down 27.2% £1,020,390/£1,964,375 and £34,244,254 82.14% of £41,692,598/£80,263,286
2004’s Bridget Jones: The Edge of Reason dropped 84.2% £81,733/£145,081 and £34,168,360 95.03% of £35,954,611/£63,821,436
2016’s Bridget Jones’s Baby dropped 40.1% £673,069/£723,935 and £46,171,396 96.09% of £48,050,641/£51,681,998
68th biggest between The King’s Speech and The Inbetweeners Movie (close to Despicable Me 2, The Jungle Book, Mary Poppins Returns and Toy Story 2) and 153rd biggest inflated between Jurassic World: Fallen Kingdom and Batman Forever (close to Babe, Slumdog Millionaire, Peter Rabbit and The Silence of the Lambs).
Mad About the Boy took $122.5m from 75 territories; Bridget Jones’s Diary took $71.54m in the US, $210.45m internationally, and $282m worldwide ($550m inflated); The Edge of Reason took $40.22m US, $224.9 m internationally, and $265.12m worldwide; and Bridget Jones’s Baby took $24.25m US, $187.7 m internationally, and $212m worldwide.
- 5 Novocaine – £544,179 – NE
Took £146k Friday 30.4%; £187k 34.38%; Saturday; £211m Sunday 38.79%
Disappointing opening for Novocaine despite positive reviews, opened lower than Jack Quaid’s previous film Companion opened with £670,512, taking £1.8m. Its opening was cannibalised by A Working Man, with both targeting the same demographic. Why didn’t Paramount open Novocaine day and date with the US?
2010’s Kick-Ass opened £3,881,704/£5,166,907 taking £11,528,933/£15,346,076
2011’s Limitless opened £2,087,363/£2,728,039 taking £8,193,589/£10,708,453
Also opened.
A Working Man and Novocaine were disappointing. However, they performed far stronger than the last Blumhouse Production’s horror, The Woman In The Yard, which earned £185,276.
After the strong opening, the last time Billy Elliot: The Musical Live was released in cinemas was in 2014. It opened with £1,904,000 at the #1 spot. The original film in 2000 opened with £1,541,109/£2,890,033, taking £16,972,531/£31,828,488. Hence, it was expected to open far stronger than £295,142 at the #8 spot on Sunday. It was cannibalised by Dr. Strangelove. NT Live 2025 opened with £203,070 at the #10 spot. It totaled £679,014, including Thursday shows. It targeted a similar demographic. Why open both over the same weekend?
UK box office in detail
The weekend’s top 10 box office took £6,533,435, down 24.2% from last weekend’s £8,619,360: 829,481 admissions down 25.5% from 1,113,612 admissions.
46th biggest weekend of the last 52 weeks lowest weekend between 31 May 2024 #1 IF £1,570,568 (23.64%) and 31 January 2025 #1 A Complete Unknown £1,236,908 (19.12%)
170th biggest since cinemas reopened out of 228 weeks between 31 May 2024 #1 IF £1,570,568 (23.64%) and 04 November 2022 #1 Black Adam £2,006,821 (30.88%)
1,029th biggest top 10 of the last 22 years (out of 1,199) between 24 March 2006 #1 Inside Man £1,806,854 (27.64%) and 06 June 2003 #1 The Matrix Reloaded £2,485,938 (38.25%) and 1,1,33rd inflated between 01 September 2017 #1 American Made £968,068 (15.63%) and 20 May 2022 #1 Doctor Strange In The Multiverse Of Madness £2,968,358 (47.54%)
30 September 2022 #1 Smile £1,860,452 (22.27%) and 22 September 2006 #1 The Children of Men £1,284,254 (24.58%)
The top 3 took (£3,883,891) 59.4% of the top 10; Snow White 30.8% (£2,015,179); L2: Empuraan 18.53% (£1,210,578); A Working Man 10.1% (£658,134)
701st biggest percentage share #1 (30.84%) between 29 September 2023 #1 The Creator £2,255,034 (0.88%) and 18 July 2008 #1 Mamma Mia! £4,561,109 (30.75%)
1,059th biggest admissions #1 (260,359) between 09 November 2007 #1 Good Luck Chuck £1,316,325 (260,658) and 11 December 2009 #1 A Christmas Carol £1,544,226 (259,534)
Down 55.55% from 2024; (£14,699,986); Kung Fu Panda 4 ( £5,020,600); Godzilla X Kong: The New Empire (£4,139,394); Aadujeevitham (£480,977); Mothers’ Instinct (£406,489); Madama Butterfly – ROH, London 2024 (£61,129); Mary Poppins (60th Anniversary) (£22,140); #1 Kung Fu Panda 4 £5,020,600 1st week 709 screens (34.15%)
Down 26.45% from 2023; (£8,882,883); Dungeons And Dragons (£3,544,354); Mummies (£648,460); The Big Lebowski (25th Anniversary) (£31,818); #1 Dungeons And Dragons £3,544,354 1st week 680 screens (39.9% of top 10)
Down 48.67% 2022 (£12,727,545); Sonic The Hedgehog 2 (£4,986,334); Morbius (£3,254,830); The Bad Guys (£2,279,074); #1 Sonic The Hedgehog 2 £4,986,334 1st week 650 screens (39.2% of top 10)
2021 Lockdown
2020 Lockdown
Down 42.01% from 2019: (£11,266,299); Dumbo (£6,076,779); Die Walkure – Met Opera 2019 (£176,278); #1 Dumbo £6,076,779 1st week 666 screens (53.9% of top 10)
Down 63.38% from 2018; (£17,838,773); Ready Player One (£5,113,041); Isle of Dogs (£1,641,509); Blockers (£1,349,627); Duck Duck Goose (£653,832); Cosi Fan Tutte – Met Opera 2018 (£261,409); Midnight Sun (£163,482); Journeyman (£60,249); #1 Peter Rabbit £5,610,556 3rd week up 23% 694 screens (31.45%)
Down 55.13% 2017: (£14,560,830); Ghost in the Shell (£2,300,753); Smurfs: The Lost Village (£1,383,059); Free Fire (£480,644); Peter Kay’s Car Share: A Second Series Celebration (£283,024); Madama Butterfly – Royal Opera, London 2016/17 (£65,810); The Autopsy of Jane Doe (£12,678); #1 Beauty and the Beast £6,750,000 3rd 45% drop 647 screens (46.36%)
Down 37.71% 2016: (£13,252,091); Eddie the Eagle (£2,834,785); Madama Butterfly – Met Opera 2016 (£421,695); Victoria (£108,602); #1 Batman v Superman: Dawn of Justice £4,661,959 2nd week 68% drop 612 screens (44.45%)
Down 49.37% 2015; (£12,903,791); Cinderella (£3,803,799); The SpongeBob Movie: Sponge out of Water 3D (£2,262,498); Get Hard (£1,438,389); Seventh Son (£411,576); Wild Tales (£183,423); The Signal (£10,103); #1 Cinderella £3,803,799 1st week 554 screens (29.5% of top 10)
Down 39.96% from 2014: (£10,881,865); Captain America: The Winter Soldier (£6,037,850); Muppets Most Wanted (£2,214,906); The Legend of Hercules (£189,881); 20 Feet from Stardom (£62,154); #1 Captain America: The Winter Soldier £6,037,850 1st week 535 screens (55.5% of top 10)
Down 47.66% from 2013: (£12,481,896); GI Joe: Retaliation (£2,792,861); Trance (£1,592,339); The Host (£991,017); Finding Nemo 3D (£264,779); In the House (£209,431); Good Vibrations (£56,320); #1 The Croods £3,305,642 2nd week 535 screens 38% drop (26.5% of top 10)
Down 34.85% from 2012 (£10,028,615); Wrath of the Titans (£2,192,740); The Pirates! In an Adventure With Scientists (£2,176,195); Streetdance 2 (£608,024); #1 The Hunger Games £2,986,317 2nd week 505 screens 39% drop (29.78%)
Up 0.66% from 2011 (£6,490,539); HOP (£1,392,740); Source Code (£1,306,661); Sucker Punch (£814,976); Killing Bono (£112,206); Oranges and Sunshine (£82,922); Psycho (£8,552); The Railway Children (RE) (£1,470); #1 HOP £1,392,740 476 screens 1st week (21.46%)
Down 69.98% from 2010: (£21,761,471); Clash of the Titans (£5,682,875); How to Train your Dragon (£4,846,532); Kick-Ass (£3,881,704); Remember Me (£987,310); #1 Clash of the Titans £5,682,875 446 screens 1st week (25.19%)
Down 24.61% from 2009; (£8,665,959); Knowing (£2,471,605); The Haunting in Connecticut (£1,127,679); The Damned United (£618,929); Two Lovers (£88,060); Traitor (£78,675); The Life Before Her Eyes (£1,596); #1 Knowing £2,471,605 1st week 391 screens (28.5% of top 10)
Down 19.16% from 2008; (£8,081,479); 27 Dresses (£1,752,897); Drillbit Taylor (£724,738); First Sunday (£40,706); Grindhouse (£27,225); The Hottie and the Nottie (£17,167); #1 27 Dresses £1,752,897 1st week 428 screens (21.7% of top 10)
Down 46.87% from 2007: (£12,296,196); Mr Beans Holiday (£6,440,093); Meet the Robinsons (£895,955); The Hills Have Eyes II (£775,160); The Last Mimzy (£188,116); The Namesake (£125,084); #1 Mr Beans Holiday £6,440,093 1st week 512 screens (52.4% of top 10)
Up 6.6% from 2006; (£6,128,821): Failure to Launch (£874,999); The Shaggy Dog (£831,250); Basic Instinct 2: Risk Addiction (£487,031); Firewall (£465,880); Yours, Mine, and Ours (£330,665); The White Countess (£70,012); #1 Inside Man £1,117,054 2nd week 356 screens 38% drop.
Down 17.97% from 2005 (£7,489,470); The Ring Two (£2,062,792); Be Cool (expansion) (£1,150,434); Downfall (£163,413); #1 The Ring Two £2,062,792 419 screens 1st week (25.90%)
Down 19.02% from 2004 ((£8,067,662); The Passion of the Christ (expansion) 3rd week (£2,019,935); Dawn of the Dead (£1,944,745); Agent Cody Banks 2 (£246,755); Under the Tuscan Sun (£203,634); The Station Agent (£97,044); The Honeymooners (£8,229); Fear X (£7,902); #1 The Passion of the Christ £2,019,935 3rd week up 573% (25.1% of top 10)
Up 58.87% from 2003 (£4,112,397); The Recruit (expansion) (£923,834); The Core (£583,238); Cradle 2 The Grave (£374,938); The Rules of Attraction (£227,531); #1 The Recruit £923,834 1st week 382 screens (2nd weekend up 2545% (22.4% of top 10)
Down 29.04% from 2002 (£9,207,851); Blade 2 (£2,540,226); Crossroads (£1,126,053); E.T. (20th Anniversary) (£465,048); #1 Blade 2 £2,540,226 1st week 345 screens (27.6% of top 10)
2024 Next week: (£9,166,231); Monkey Man (£810,253); The First Omen (£521,573); Seize Them! (£132,207); Luca (£110,964); #1 Kung Fu Panda 4 2bd week £2,834,711 44% drop 721 screens (30.93% of top 10)
US Box Office
- A Working Man – Amazon/MGM Studios
Opened $15.51m; received mixed reviews (53% Rotten Tomatoes) and B CinemaScore
Yook $1.1m from Thursday previews
Opened in PLF; Dolby and 4DX screens Snow White kept IMAX screens.
MGM acquired selected rights and Amazon acquired streaming rights.
2024’s The Beekeeper opened $16.57m, taking $66.22m and $162.61m worldwide
2002’s The Transporter opened $9.1m, taking $25.29m and $43.92m worldwide
2005’s Transporter 2 opened $16.54m, taking $43.09m and $89.08m worldwide
2008’s Transporter 3 opened $12.06m, taking $31.71m and $108.97m worldwide
After a soft February and March US BO is still 10.9% down from 2024 and 39% behind 2019; the question is, will Minecraft boost April BO?
Opened with $15m from 63 territories ($8.8m Warner Bros); China $2.9m; Germany $1.4m; Australia $1.1m; Mexico $1.1m; UK $867k.
- Snow White – Disney
Dropped 66% in the second weekend $14.33m and $66.81m
794th biggest second weekend between Downton Abbey and The Hunchback of Notre Dame (close to Smallfoot, Bridge to Terabithia, Tomorrowland and The Princess Diaries).
Second weekend
The Little Mermaid dropped 56.7% $41.38m and $186.9m of $298.17m and $569.62m worldwide.
2019’s Aladdin dropped 53.2% $42.84m and $185.35m of $355.5m and $1.054bn worldwide
2015’s Cinderella dropped 48.5% $34.96m $201.15m and $542.35m worldwide
2019’s Dumbo dropped 60.4% $18.21m and $76.26m of $114.76m and $353.28m worldwide
1996’s 101 Dalmatians dropped 58.4% $13.94m and $63.69m of $136.18m and $320.68m worldwide
2014’s Maleficent dropped 50.6% $34.32m and $128.17m of $241.41m and $759.85m worldwide
2010’s Alice in Wonderland dropped 46% $62.71m and $209.33m of $334.19m and $1.025bn worldwide
While
2012’s Mirror Mirror dropped 38.8% by $11.09m $64.93m and $183.01m worldwide
2012’s Snow White and the Huntsman dropped 59% by $23.05m $155.33m and $396.59m worldwide
At the start of the year, Snow White was looking at opening with about $70m. Over the months since, estimates dropped down to $45m-$50m days before opening. It is a reimagination of the most beloved Disney animated film. It should have opened similarly to 2017’s Beauty and the Beast $174.75m taking $504.48m and $1.356bn worldwide and 2019’s The Lion King $191.77m taking $543.63m and $1.662bn worldwide.
Ten years ago, Disney claimed that reimagining Snow White was not an option. The same stance was taken with Pocahontas and Song of the South. Who greenlit Snow White as Disney must have known it was always going to receive this kind of reaction.
Took $22.1m (48% drop) from 51 territories $76.3m total and $143.1m worldwide; UK $8.7m; Mexico – $6.9m; Italy $6.6m; France $5.5m; Brazil $4.5m; Japan $4m; Spain $4m; Germany $3.8m; Australia – $3.4m; Argentina $2.3m.
- The Woman In The Yard – Universal Pictures
Opened $9.35m; received poor reviews (39% Rotten Tomatoes) and C- CinemaScore
Yook $870k from Thursday previews, similar to last year’s Blumhouse’s Imaginary $725k
31% of women 25+ and 24% of women under 25
It’s the second Blumhouse Production film opening this year after Wolf Man opened $10.89m, taking $20.7m and $34.15m worldwide; upcoming Blumhouse Production films opening this year Drop, M3GAN 2.0. The Black Phone 2 should perform much better than last year’s films. These include Speak No Evil, Afraid, Imaginary, and Night Swim. Five Nights at Freddy’s 2 also has the potential to outperform them.
Expectations were exceptionally low for The Woman In The Yard as the embargo ended on Thursday. However, with such a quiet marketplace, it should have still found a bigger audience. That’s the case with so many smaller films recently. They aren’t getting the audiences they should be getting.
- Death of a Unicorn – A24
Opened $5.78m; received mixed reviews (54% Rotten Tomatoes) and B- CinemaScore
Yook $700k from Thursday previews; similar to Mother! $700k and Rough Night $700k
29% of women 25+ and 20% under 25
It made no sense to open Death of a Unicorn and The Woman In The Yard. The two horrors cannibalized each other.
UK Box Office Top 10
UK Box Office Preview
Will A Minecraft Movie come to the rescue for cinemas ahead of the Easter holidays after a disappointing March? Early reactions: Children like it. However, adults and non-fans don’t. Therefore, it won’t attract a wider audience. It will not be as popular as Super Mario Bros, The Lego Movie, and Jumanji: Welcome to the Jungle.
More likely to open similarly to 2019’s Pokemon Detective Pikachu opened £4,951,838, taking £13,842,524; 2020’s Sonic The Hedgehog opened £4,733,768, taking £19,280,822; and 2022’s Uncharted opened £4,705,948, taking £24,091,881. Then 2023’s Super Mario Bros opened £15,691,810, taking £54,578,335. A Minecraft Movie does have two lucrative weeks of school holidays with no competition for boys.
2014’s The Lego Movie opened £8,051,140/£9,488,844, taking £32,887,286/£38,760,016
2017’s Jumanji: Welcome to the Jungle opened £8,154,548, taking £36,968,605
2021’s Free Guy opened £2,477,891, taking £16,866,112
2022’s Uncharted opened £4,705,948 taking £24,091,881
Unlike many recent video game film adaptations, Minecraft is an open sandbox game similar to Lego with no plot, so the film can go in any direction, as was the case with 2014’s The Lego Movie.
The first teaser trailer was released in September 2024, reaction was negative. A second trailer was released with MGMT’s Time to Pretend and received positive reactions, and the final trailer was released in February.
Disney’s Snow White will drop about 40% in its third weekend, taking £1.1m-£1.3m
Opening in three weeks
- The Accountant 2 – Warner Bros
Action thriller sequel starring Ben Affleck, Jon Bernthal, Cynthia Addai-Robinson, Daniella Pineda, Allison Robertson and J. K. Simmons and directed by Gavin O’Connor.
Premiered at the South by Southwest Festival, receiving positive reviews; a third film is in development. In 2021, the director said he had plans for a trilogy.
2016’s The Accountant opened £1,623,866, taking £5,067,474
- The Friend – Universal Pictures
A drama based on the 2018 novel by Sigrid Nunez (which won the U.S.’s National Book Award For Fiction) starring Naomi Watts, Bill Murray, Sarah Pidgeon, Carla Gugino, Constance Wu, and Ann Dowd and directed by Scott McGehee and David Siegel.
Had its world premiere at the Telluride Film Festival and screened at the 2024 Toronto Film Festival receiving positive reviews.
- The Legend OF Ochi – Entertainment Films
Fantasy adventure starring Helena Zengel, Finn Wolfhard, Emily Watson, and Willem Dafoe and directed by Isaiah Saxon.
A24 fully financed the film and features puppetry, animatronics, computer animation and matte paintings having a $10m budget.
Premiered at the Sundance Film Festival, receiving positive reviews being compared to The Neverending Story and The Dark Crystal.
- Until Dawn – Sony Pictures
Survival horror is based on a 2015 video game starring Ella Rubin, Michael Cimino, Odessa A’zion, Ji-young Yoo, Belmont Cameli, and Peter Stormare and directed by David F. Sandberg.